January 2015

Art, music and a distant longing

by Steve Brock on January 30, 2015

Sacred Places by Christian Burchard

I’m driving home from a meeting. The radio is on. NPR. Garrison Keillor to be exact, his lounging voice reciting in its rhythmic gait the words of Anne Porter’s poem, “Music.”  You can (and should to fully appreciate the meaning of all this) pop over and read her poem now.

Work by Jason WalkerBack with me? Her poem surprised me since it ends in a far different place than where I expected at the start. But such is the nature of good writing and good trips.

Two days later, I take a short trip over to Bellevue, WA. It’s not a typical tourist destination, but it’s more than sufficient for our needs. I’m taking my wife on a date to make up for more than my share of travel lately. We have a wonderful lunch then we go to the Bellevue Art Museum.

I love their exhibit of John Economaki’s work at Bridge City Tools, of Jason Walker’s whimsical yet thought-provoking ceramics and most of all their BAM Bienniel 2014: Knock on Wood. As the name suggests, all of the works in this latter show were made in whole or in part from trees.

Have you ever been somewhere – a museum, a fair, a restaurant or even a party – where you enjoy each piece, experience, dish or person individually, but collectively they build to a cumulative sense of sheer delight? That was my feeling at the show, but even that description doesn’t capture exactly how I felt.

Perhaps it was wonder.

Or maybe something more. A reaction more akin to longing. More like this line from Anne Porter’s poem:

Why is it that music
At its most beautiful
Opens a wound in us
An ache a desolation
Deep as a homesickness
For some far-off
And half-forgotten country

Substitute the word “art” or even “travel” and the sentiment still holds true.

Works by Morse ClaryWhy is it? She answers that question in the last stanzas of her poem.

Is what she writes the only answer for how we feel? A complete answer? Likely not. But is it satisfying? In its own way, yes. It helps explain why all of us have these moments where we encounter beauty that moves us so profoundly that we don’t know what to do with it or with ourselves.

Music, art, even travel touches us and reminds us that:

We have been wandering
But we were made for Paradise
As deer for the forest

So close, so far 1-3 by Brian WilsonWe retain only vestiges of memory of our lost native country and when windows – gaps or glimpses more likely – open up and open us up to that half-forgotten place, we sigh. We know it to be true. Or at least, we want it to be true and sometimes that may be enough.

Works by Helga WinterWhat this short trip did was remind me that in music, art, travel or other areas of passion, we find not what we may have been looking for, but what we need to be reminded of. We need these soul-stirring awakenings in this life to remember that there is more to (and than) this life. So much more.

And best of all, in and through all of this, we have a Guide who brings us to these moments, moments of wonder that satisfy us even as they stir in us the yearning for that something more. A Guide who, as Anne Porter notes,

also came to live with us
And wanders where we wander.

Therein lies the deepest wonder of all.

 

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